New Cormac McCarthy Book, ‘The
Passenger,’ Unveiled (1) -麥卡錫新書『旅客』已出版
BABAK DOWLATSHAHI
After incubating
for some 30 years, Cormac McCarthy’s next novel just made a dramatic first
entrance onto the public stage. Passages from the much-anticipated book,
called The Passenger, were read as part of a multimedia event
staged by the Lannan Foundation in Santa Fe, New Mexico. The reading is the
first public confirmation of the novel and its title, long the subject of
rumors in the literary world.
The occasion
marks nearly 50 years since the publication of McCarthy’s The Orchard
Keeper, which won the PEN/Faulkner prize for best debut novel in 1966.
While academics
and critics have long praised his work, the legendary author keeps a low
profile, spending most of his time at a science and mathematics think tank
in New Mexico, the Santa Fe Institute (SFI), where he is a trustee. Organizers
at SFI confirmed to Newsweek that the novel will be released
in 2016, though McCarthy's agent and publishers declined to comment on the
status of the book.
Prior to the Lannan
Foundation event on August 5, details about the book’s eventual publication
were hard to come by. Now, The Passenger appears to be
approaching.
That alone is
enough to excite McCarthy’s substantial following. Steven Frye, president of
the Cormac McCarthy Society, is more than a little biased when it comes to
ranking authors. But there are plenty who share his opinion when he says: “I
would rate him No. 1” among contemporary authors. “It’s bold to say that we’ll
be reading him in 500 years, the way we read Shakespeare.... But if we’re still
reading novels, then I think it will be the case.”
Given the
author’s history when it comes to public appearances, it was a surprise to
members of the Society (which has no affiliation with the author) when the
event was announced on the Santa Fe Institute’s website.
The August 5
presentation was not your average coffee shop book reading. Held at a
performing arts center in Santa Fe, the event was anchored by a discussion
between SFI President David Krakauer, an evolutionary biologist and complex
systems scientist, and the visual artist James
Drake.
Krakauer saw an
“unbelievable resemblance” between Drake's drawings and the themes of
McCarthy’s recent work—such as madness, genius and mathematical truth. SFI, a
network of researchers studying complexity through science and mathematics, was
the perfect vehicle to present the works of both artists in a single setting.
With the author’s blessing, Krakauer read over a manuscript of The
Passenger and selected excerpts.
Onstage,
Krakauer recited dialogue from the novel alongside a local actress,
Caitlin McShea, who played the part of the book’s female protagonist. The
readings from the book—interspersed amid a slideshow and discussion ofDrake's art—covered esoteric
topics ranging from the aesthetics of mathematical equations to the nature of
knowledge.
There was also
an original soundtrack for the event composed by McCarthy's son,
17-year-old John Francis. But the biggest surprise of all was a
digital recording of McCarthy introducing the characters—the only publicized
instance in which he has participated in a large public reading.
The math
connections might strike book readers as odd, but anyone familiar with
McCarthy’s best prose will recognize the prevalence of themes from
science. Suttree, a sprawling account of 1950s Knoxville that is
considered one of his defining works, opens with a passage describing a dirty
river that is so infused with detail and complex terminology that it turns the
refuse of a city into a stirringly beautiful linguistic riff. His other
masterpiece, Blood Meridian, is a cowboy novel that includes
meditations on technology and self-replicating machines:
DON USNER/SANTA FE INSTITUTE
“You can find
meanness in the least of creatures, but when God made man the devil was at his
elbow. A creature that can do anything. Make a machine. And a machine to make
the machine. And evil that can run itself a thousand years, no need to tend
it.”
-Blood Meridian First Vintage
International, page 17
Other previous
novels have subtly woven in science, but according to KrakauerThe
Passenger will place science in the foreground. “It's everywhere,” he
says. Just as the author went through an “Appalachian phase” and a “Southwest
phase”—the terms used by scholars to describe his early and middle
works—Krakauer says the new book is going to be “full-blown Cormac 3.0—a
mathematical [and] analytical novel.”
“I’m extremely
amused by imaging what book sellers are going to do with the next novel,” he
says. (Whether it gets dubbed “science fiction” or something else, it will most
likely be displayed near a window or an entrance.)
O8/21/2015
Justin Lai 選材
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